Tag Archives: Comparative Method

Paper #4 — Mulling Over Methods

Mulling over Methods

While some scholars lament what they see as the end of literary studies as we have known it, others such as Sreevvidya Surendran recognize that literary studies has not disappeared, but it “has suddenly widened to include a cornucopia of diverse media” (Surendran).  In his article “Of Methods and Methodologies in Literary Studies and Humanities” Surendran states that incorporating  objects of studies from other disciplines into literary studies,  literary studies has broadened so much from its original methods and objects of study that it is “almost melding into that field of terrifying and infinite variety:  Cultural Studies” (Surendran).   This can be seen in many English Departments across the country that combine the Literary & Cultural Studies into one discipline.  Where one ends and one begins is a debate within English Studies departments across academia.  This debate centers around issues of funding, legitimacy, and prestige, among other things, as we’ve discussed this semester.  It also, however, has a basis in theories, methods, and methodology. We’ve seen similar contentions over methods within the Game Studies narratology versus ludology discussions and World Englishes debates over standardized or community centered English learning.

How to choose which methods to apply to African American Literature and Critical Race Theory within a department are even more complicated by the marginalization of those studies within English Departments.  While some universities have African American Literature and Cultural Studies departments, a study of African American literature and/or Critical Race Theory will often be placed within an English Studies department but require scholars to seek classes and expertise in other disciplines and methods from other departments.  This is where the interdisciplinary approach to Literary Studies is helpful.  However, it’s also where contentions in what are considered acceptable methods can take place.  Methods and objects of study within an African American Studies department, Sociology, or Psychology may not be traditionally accepted within a Literary Studies tradition. Therefore, as Surendran suggests, what is needed is “to integrate disparate ideas and identities that teem under the umbrella term of ‘Literature’ and create a method that is not applicable to all, but one that allows itself to be suitably tailored for each research question” (Surendran).  Thus, I believe, the major questions in addition to the research questions will guide the approach to history, objects of study, and methods rather than artificial boundaries of study and inquiry based upon disciplinary predetermination and departmental posturing.

magnify-dictionary-research.jpg

A critique over methods is presented by Aldo Nemesio in his article “The Comparative Method and the Study of Literature” in which he claims that contemporary research is more focused on gathering information and not as concerned with producing new areas of knowledge (Nemesio).  Nemesio asserts that academic biases and personal vanity impede true literary research or knowledge (Nemesio).  By way of example he cites the over 6000 articles about Shakespeare in just one decade (Nemesio).  While his claim that no one scholar can access and research all of these articles is valid, his assumption that these articles were only about “celebration, entertainment, or satisfaction of vanity” lacks basis or clear rationale.  More importantly, his argument decenters reading texts as objects of study because the finds that method vapid and counter to true learning and knowledge.  Instead, he advocates a comparative method of study in which “nationalist” texts are disfavored and human literary study which incorporates “what happens elsewhere . . . in the comparative method” is elevated (Nemesio).  While this seems inclusive, multicultural, and multiethnic, it poses a danger for already marginalized departments and studies (such as Asian literature or African American literature) that are already marginalized cultures within the “nationalist” literary tradition.  Nemesio is taking a very privileged view of “national” and what literature is by not even considering the possibility that his assumption of what human literary history is excludes a vast number of humans.  His attempt at inclusivity is oppressive and his choice of methods reaffirms what already exists in the academy  — the larger voices, no matter the canon or “nation”, will be heard.

Nemesio’s view is not a loud voice in the field of methods and literary studies, but it’s one of the ways that African American Literature and indeed, the voice of other marginalized texts and studies have to consider how some methods are privileged over others.  As with Surendran’s article, it demonstrates that research and literary study may be influenced through a determination of what methods are available and privileged.  They also brings to bear the questions of research and academic careers in departments in which my methods and research questions are not considered as valid as others.

Racialized bodies in American Culture: "Black bodies are already imagined, constructed as exotic, violent, alien, primitive, inferior and thus treated as out of the ordinary by hegemonic discourses and groups. The image below plays on the tried-and-tired trope of Black male sexuality as inherently heterosexual, dangerous and misogynistic."    -Egbert Alejandro Martina

Racialized bodies in American Culture: “Black bodies are already imagined, constructed as exotic, violent, alien, primitive, inferior and thus treated as out of the ordinary by hegemonic discourses and groups. The image below plays on the tried-and-tired trope of Black male sexuality as inherently heterosexual, dangerous and misogynistic.”
-Egbert Alejandro Martina

Because I have chosen to focus my research on Critical Race Theory and African American Literature, both of which involve narrative and counternarrative, the inclusion of Cultural Studies is necessary in order to examine the ways in which race and identity are created through, among other things,  the media, law, art, music, and texts.  I anticipate that my research will borrow heavily  social science methods as well as law in forming methodologies and theories.  These methods will include, but are not limited to social science methods such as:

Archival research – Articles, other research and data already collected, manuscripts, first-person accounts of important events and life stories, databases, etc.

Visual“This includes using the visual as a documenting tool to produce visual records, in interviews to elicit comments from informants, in participant observation to research ways of seeing and understanding, analysing visual and material culture and using visual media to represent the findings of such research” (Pink).

Ethnography“Ethnography is a type of social science research that investigates the practices and life of a community, by becoming one of its members. It is based on learning about a context and the people living in it, by understanding their values, needs and vocabulary. It requires faithful reporting of what is experienced or observed, avoiding any interpretation or evaluation as far as possible” (“Ethnographic Research”).

Biographical“Rather than concentrating upon a ‘snapshot’ of an individual’s present situation, the biographical approach emphasises the placement of the individual within a nexus of social connections, historical events and life experiences (the life history). An important sub-stream of the method focuses upon the manner in which the respondent actively constructs a narrative of their life in response to the social context at the time of interview (the life story)” (Miller).

As evidenced by just some of the methods above,  the methods I will use vary widely as are the academic departments and theories I apply to my research.   In fact, Kim Fahle’s  October 28, 2014 comment on my last paper   “For instance do you see yourself using legal and cultural documents to contextualize and interpret literature, or are you examining literature in conjunction with other documents as equivalent texts that provide a window to theorize and discuss racialized bodies?” has helped shape the direction of my research because I was, until then, trying to articulate how I was going to approach the discussion of racialized bodies.  Knowing the research question or at least the direction of the research question is essential in determining methods.  I am going to use literature and other documents as equivalent texts to theorize and discuss racialized bodies.  Legal methods will included written law, quantitative and qualitative analysis of the law and public policy, and a historical view of the law.  Much of my approach to incorporating Cultural Studies into my research will include the above social science and legal methods.  Thanks, Kim!

 

Works Cited

“Ethnographic Research.” Experientia Putting People First. N.p., n.d. Web. 02 Nov. 2014.

Miller, Robert. “BIOGRAPHICAL METHODS.” The A-Z of Social Research (2003): n. pag. : SAGE Research Methods. SAGE Publishing, 2003. Web. 02 Nov. 2014

Nemesio, Aldo. “The Comparative Method and the Study of Literature.” CLCWeb: Comparative Literature and Culture. Purdue University, Mar. 2007. Web. 27 Oct. 2014.

Pink, Sarah. “VISUAL METHODS.” The SAGE Dictionary of Social Research Methods (2006): n. pag. : SAGE Research Methods. SAGE Publishing, 2006. Web. 02 Nov. 2014.

Surendran, Sreevidya. “Of Methods and Methodologies in Literary Studies and Humanities.” Sociological Imagination. N.p., 27 June 2011. Web. 27 Oct. 2014.

3 Comments

Filed under ENGL810, Papers

PAB #4: Theories and Methods. Well, mainly methods.

Methods and Literary Studies

I used the first half of the semester to become acquainted with Critical Race Theory’s legal and academic scholars, history, its interdisciplinary application, and debates about its future. For this Progressive Annotated Bibliography, I chose to address my focus on literature and literary studies.  Although the PABs are not directly addressing issues in African American Literary Studies, the ideas and implications are influential in how to approach the discipline and the texts.

cultural-studies

The Cultural Studies word cloud contains many ideas and concepts present in Literary Studies. Where does one discipline begin and the other end?

As we’ve discussed all semester, the field of English Studies as a whole is constantly in flux, as are the various departments that comprise the field and even the internal research and foci of the departments themselves.  As Sreevvidya Surendran states in “Of Methods and Methodologies in Literary Studies and Humanities,” the interdisciplinary approach to the study of the humanities no longer centers the research question as the focus of the school but on the method and methodology (Surendran).  Although Surendran’s discussion of methods and methodology is worth of discussion in a longer post, what is most relevant for the purposes of this short entry is that an interdisciplinary approach to literary studies means that “the corpus of literary study has suddenly widened to include a cornucopia of diverse media” (Surendran).  Surendran notes that this has broadened literary studies so much from its original methods and objects of study that it is “almost melding into that field of terrifying and infinite variety:  Cultural Studies” (Surendran).  Indeed, as my last paper explained, if everything about a text, from the writer, to reader, to market forces are considered in analysis of the text, then is the focus of my research literary studies or cultural studies?  Does the method create the discipline or the discipline define the method?  I think these are questions that are at the core of the debates in contemporary Literary and Cultural Studies departments.  It comes back to what we have been discussing all semester:  How do we define and individuate departments and disciplines and what are the benefits and detriments of those choices, particularly in a field like African American literature which is often a sub-department of English Departments.  For example, an interdisciplinary focus in American or British literature (and those terms themselves focus on exclusion as if African American and Black British authors are frequently excluded from the canon), is more easily accomplished in American university with film, history, and sociology departments that contain classes steeped in the dominant.  Many institutions of higher education do not have classes, much less departments, that study African American film, sociological impacts of race, etc.  While they may be a small part of a class, they are seldom the focus of interdisciplinary departments.

Surendran suggests that “the key is to integrate disparate ideas and identities that teem under the umbrella term of ‘Literature’ and create a method that is not applicable to all, but one that allows itself to be suitably tailored for each research question” (Surendran).  Thus, I believe, the major questions in addition to the research questions will guide the approach to history and objects of study rather than artificial boundaries of study and inquiry based upon disciplinary predetermination and departmental posturing.  This still doesn’t address the Balkanization of minority studies, but it allows for the attempt to expand the limited research opportunities within a department to other areas of viability.

Works Cited

Surendran, Sreevidya. “Of Methods and Methodologies in Literary Studies and Humanities.” Sociological Imagination. N.p., 27 June 2011. Web. 27 Oct. 2014.

 

I include a PAB to Aldo Nemesio’s article “The Comparative Method and the Study of Literature” to highlight an interesting debate in the field over methods used.  Nemesio criticizes contemporary research as collecting data with an emphasis on the gathering of information rather than the production of knowledge (Nemesio).  He claims that repetition of research strategies, methods, theories, and methodologies are in service to celebratory research that does not delve into uncharted territories, but rather rehashes already existing knowledge (Nemesio).  Instead of studying what he calls “human literary behavior,” literary researchers seek to further their own cultural models or values at the expense of literary research (Nemesio).

Nemesio delves into the reasons that the study of literature has developed in a certain way, but what’s most interesting to me about his essay is critique of limiting research to a “national” literature.  He calls such a focus “professional laziness” and while it produces certainty and cohesion, it does not produce literary research or knowledge (Nemesio).  In fact, he claims, it produces situations in which over 6000 articles about Shakespeare are produced in a decade (Nemesio).  The volume is not accessible to even the most ardent Shakespeare enthusiast and researcher.  Nemesio asserts that production on this scale is not about knowledge, but about “celebration, entertainment, or satisfaction of vanity” (Nemesio).

How much more can be said about Shakespeare?

How much more can be said about Shakespeare?

I include his article here for two reasons:  One, it addresses the idea of what methods are used and worthy of literary study.  We have talked on many occasions about what disciplines and departments get priority when it comes to status, funding, or faculty.  Nemesio advocates a comparative method of literary study in which “nationalist” texts are disfavored and human literary study which incorporates “what happens elsewhere . . . in the comparative method” is elevated (Nemesio).  Ascribing to this idea of what “true” literary research is poses a danger for already marginalized departments and studies (such as Asian literature or African American literature) that are already marginalized cultures within the “nationalist” literary tradition.  Nemesio is taking a very privileged view of “national” and what literature is by not even considering the possibility that his assumption of what human literary history is excludes a vast number of humans.  His attempt at inclusivity is oppressive and his choice of methods reaffirms what already exists in the academy  — the larger voices, no matter the canon or “nation”, will be heard.

The second reason I include Nemesio’s article is because it also addresses our class discussions about the role of new media and the web in expanding what literary studies means.  He does not elaborate on this point, unfortunately.  However, he does critique the volume of materials published every year.  I agree with Nemesio that it goes beyond any researcher’s ability to read, digest, and respond.  Nemesio, however, goes further and claims that if the purpose of research is to add to the discourse and communicate significant achievements in literature, it is improbable this goal is met and that most writing published is for sheer vanity.  I disagree with this glib assessment, but do agree that a difficulty arises in who, what, and how to read the sheer number of texts within a field.  How Nemesio eliminates this conundrum through comparative literature and a departure from “nationalist” writing is not quite clear.

This article does lead me to think about the methods used and how some methods are privileged over others.  This definitely influences research and literary study through a determination of what methods are available, privileged, and what departments and research questions are given validity.  So while not directly related to my line if inquiry, these are things that I need to think about as I develop my career as an academic.

Works Cited

 Nemesio, Aldo. “The Comparative Method and the Study of Literature.” CLCWeb: Comparative Literature and Culture. Purdue University, Mar. 2007. Web. 27 Oct. 2014.

 

 

Leave a Comment

Filed under ENGL810, PAB Entry4